Last Updated on
Dialogue from Dhanak, the film by Nagesh Kukunoor,
“अब हम साथ में धनक देखेंगे, रात वाला धनक!”
(Now we will see the rainbow together. The rainbow which appears in the night, that is!)
There are noisy big budget Bollywood films and then there are those Bollywood films which release without making much noise, touch the lives of those who appreciate good cinema and remain etched in their memory forever. I prefer the latter.
I went to watch Dhanak with zero expectations. After a sluggish beginning, the film surprised me with its riveting narrative and stellar performances by the kids. The film turned out to be a road movie (of a different kind!)
The story line is simple. A village girl fails her exams on purpose so that she can study with her visually impaired brother. The boy is a fan of Bollywood star Salman Khan while the girl is a fan of Bollywood star Shahrukh Khan. Both are Bollywood megastars and apparently rivals. When news spreads that Shahrukh Khan is shooting in nearby Jaisalmer, the girl gets excited. The excitement is less of a fan girl excitement but of the hope that the megastar may help her cure her brother. Earlier in film, she sees him promoting eye donation on posters.
What ensues is an epic road journey from the nondescript village (Dhani) near Jaitaran to the touristy Jaisalmer and beyond. Dhani (Remember Chowki Dhani?) are the cluster of huts in rural Rajasthan, the residents of which either belong to same caste or family tree or both. The opening sequences slowly revealed the life in a hut in distant Rajasthan through its characters. Sleeping under stars in desert (The quintessential Rajasthan Package for the urban) is an everyday reality here. I wanted to jump into the screen as the wicked aunt cooks Bajra Roti on a wood fired mud oven and the uncle smokes a hukkah.
The kids are rebellious and confidently embark on the journey in the ‘veerana’ (uninhabited lands) all by themselves. What happens next is very relatable to me as a traveler. I have always found the rural Rajasthan more charming than the Rajasthan one sees in brochures. The hospitality, the food, the people in Rajasthan just win your heart. I have found the roads in the hinterlands of Rajasthan to be baby bottom smooth as was also evident in the movie.
Having exhausted all their water, the kid bump into a truck driver and ask him for water. Amused by their banter and boy’s dramatic “I am going to die soon.” (he repeats that almost every half an hour), the driver interrupts his siesta and offers them a ride till Garnia naka. He also offers them Amdavadi farsaan (Gujarat shares border with Rajasthan and the influences overlap). The scene was totally believable as I have experienced such goodness on the roads of Rajasthan.
Music and food are important to me when I travel. As they waited for a bus, a ‘saadi ka tractor’ (Tractor carrying wedding attendees) stops. The drunk man in tractor and the little boy indulge in magical jugalbandi. The silence of the desert was broken with the echoes of their ‘mehendi rang lago’ It was melodious and smelt of Rajasthani soil.
The man offers them a ride, food and an overnight stay. The next day, they leave for Jodhpur sitting atop a jeep. I remember hanging on to the rear of such jeeps in rural Gujarat and feared for my dear life. They end up in a God women ‘Mamtamayi’ Sheera mata’s darbar. The enticing smell of sheera (aka halwa) and poori (fried bread) tempts the boy and they end up missing the bus since they queued up for the food. I have missed some buses in rural and remote areas only so that I could eat more. At other times, I have almost missed my trains and buses because I tend to walk a bit far in search of interesting food during breaks.
While walking from Lohawat to Jodhpur, they bump into an American. When the American starts singing “All I am saying is, let’s give love a chance” the kid spices it up with a rustic version of ‘damadar mast kalandar’. It was one of my favourite moment of the film. The jugalbandi ended with the echo of a peacock in the background. In my road trip to rural Rajasthan, I was amused to see hundreds of peacocks on either sides of the road, sometimes even sitting on the paan shops.
The kids meanwhile get kidnapped and then rescued by a ‘banjara’ (nomad) women. Good opportunity to weave in a kalbelia dance performance! The kidnap and rescue was a bit simplistic and so was Shah Rukh Khan rescuing the dehydrated duo later from the desert and sponsoring the boy’s eye operation.
The film ends with the boy getting his vision back and with this heart warming song :
ख्वाबों में अपने तू,
घुल कर खो जा रे
पलकों पे सपने
मल कर सो जा रे
होगी फिर महक तेरे हाथो में
और देखेगा धनक तू रातों में!
(Get lost in your dreams,
Rub the dreams on your eyelids and go to sleep.
You will discover sweet smell in your hands then,
And you will see a rainbow in the night!)
Ecstatic to see the sand falling from his hand the boy says, “isn’t it all beautiful?” The sister says, “Yes, everything is beautiful!”
I have noted down the names of the village so that I can make a journey or maybe even follow their trail. The visuals in the film for sure made me want to take this road trip.
Their route (From what I could construct) was:
A dhani near Jaitaran – Lohawat – Jemla Bus Stop – Om Banna Temple – Jodhpur – Jaisalmer.
Spread the love, share this blog
Got any question/comments, ask in the comment section below so that it can benefit other readers.
Email me for collaboration: firstname.lastname@example.org
Be a part of my journey on social media. The travel content I create there is different from this blog.